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Zeit

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A captivating portrait of a dancing girl radiates warmth under soft, golden lighting. Her dark locks cascade down her back like a waterfall, framing her radiant smile. The subject's whimsical gaze is suspended in mid-air as she twirls, surrounded by an abstract ink design costume swirling around her legs and torso, blending fluid lines with geometric patterns in the foreground.,soft film grain,Fantasy detailers,hourglass body shape

Zeit

Remix once

A stunningly rendered portrait of a dancing girl, her photorealistic features illuminated by soft, golden light. Her raven-black locks cascading down her back like a waterfall of night, framing her radiant smile. The subject's gaze is captivated in a whimsical dance, as if suspended in mid-air. In the foreground, an abstract ink design costume swirls around her, a mesmerizing blend of fluid lines and geometric patterns.,Realistic Portrait,with Ink Abstract Costume

Zeit

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Myth

Remix once

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3)

Zeit

Ceremony

Remix 3 Times

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Palace

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

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Ink Palace

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photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

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Kirigami Portrait

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photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

Zeit

Kirigami Portrait

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photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

Zeit

Kirigami Portrait

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photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

Zeit

Kirigami Portrait

Remix once

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

Zeit

Kirigami Portrait

Remix once

photography in the style of detailed hyperrealism ,creature ,fantasy,James Christensen,bold lines,hyper detailed

(realistic figures in the foreground, impressionistic and oil painting in the background 1.2)

(Kirigami representation, 3D, paper folding, paper cutting, Japanese, intricate, symmetrical, precision, clean lines : 1.3),God's Angle

Zeit

Kirigami Portrait

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

Zeit

Ink Landscape

Remix once

Recreate the T-shaped silk painting from Mawangdui Tomb No. 1 with vivid detail and rich symbolism reflecting the mythological and eschatological beliefs of early Western Han dynasty.

Top section:
Depict the celestial realm. In the upper right corner, include a bright red sun with a golden crow inside it, and eight smaller suns surrounding a Fusang tree below. In the upper left corner, show a crescent moon with a toad and jade rabbit on it, and Chang'e flying towards the moon. Between the sun and moon, place a seated Nüwa with a human head and snake body, her long red tail coiled around. Surround her with celestial cranes, considered auspicious heavenly birds. Below, illustrate beast-riding monsters suspending bronze bells in the air, with geese perched on the bells and a divine dragon roaring nearby. Separate the heavens from the human world with the heavenly gate, guarded by two leopards climbing the gate and gatekeepers bowing with hands clasped.

Middle section:
Illustrate the human realm. At the top, show a triangular canopy adorned with floral and bird motifs, with two phoenixes standing on top and a winged owl soaring beneath. Below, depict an elderly woman with a staff facing west. In front of her, two figures (possibly Taoist practitioners or servants) kneel and present offerings, while three maids follow her. On either side, show two dragons intertwined with a jade disk, and beneath them, feathered human-bird hybrids dressed in white, facing each other. Below, illustrate a sacrificial table set with offerings, indicating a ritual feast for the deceased. Show several people seated around the table, drinking and bidding farewell to the elderly woman.

Bottom section:
Represent the underworld. Show a nude strongman squatting in a horse stance, holding a flat white object symbolizing the earth above his head. He stands on entwined aquatic creatures resembling whales, with two mythical beasts at their tails. At the boundary between the earth and the underworld, include two spiritual turtles floating, with owls standing on their shells.,God's Angle,Chinese mythological figures,floatingisland,landscapes,Ink Painting,Dressed animals page,Satellite Aerial Photography

RAW 4K,8K, Masterpiece, Super sharp image quality,

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Ink Landscape

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